Invisible Cities - 50/55!!!

Invisible Cities 50/55

***updated 7/13/23 - Finished #55. That’s a big double bar (and a double bourbon)***

So here is a progress report on the string-quartet-pieces:

Last night, I finished number 50! That is 50 of 55. Since last June I have written 38 pieces for string quartet, and have 5 more to go. They are averaging about 3.30 per piece. So… you do the math. An important sabbatical goal for me was to finish the composing of the whole work by the middle of August. So a bit of work left, but I am feeling pretty confident at this point. Details on the piece below. But for now, a little celebration of 50…

The plan is to keep writing during an upcoming month of in Scotland and North Wales. I will keep you posted, dear imaginary reader, and check-in in a few weeks with an update.

*****

*****

A strange dream.

In the summer of 2010 I had a dream that I was attending my own memorial service. Though it was not a particularly sad dream, it did start out as a performance anxiety dream: I was in a large warehouse that had dozens of services of all kinds happing at the same time in different rooms. I had to check many rooms until I found the right one, and I feared I might miss the whole thing, which I somehow knew would be marked as truant on my permanent record. When I did finally found the right room, I sat down in the back row and perused the memorial program. On the back was a list of my complete works as a composer. I looked over the list and had wonderful, nostalgic memories of the conception of this or that piece, or fond feelings toward this or that performer. Then, in a rather sudden moment of dream-clarity, I realized that I had never written a String Quartet! And then I woke up.

So began this long cycle of string quartets. The first sketches quickly turned into a master plan to write a cycle of 55 pieces for string quartet. The inspiration at the core of the cycle is a book called Invisible Cites, by one of my favorite authors, Italo Calvino. Calvino’s book is a magical and fantastical tale about a conversation between Marco Polo, the erstwhile explorer, and Kublai Kahn, the great emperor. In each of the 55 chapters of Invisible Cities, Polo describes to Khan a city he has supposedly visited (both characters know that Polo is crafting and improvising these cities). The descriptions are beautiful, poetic and profound; they create a magical world of strange and mystical places. The musical pieces are my interpretation in sound of these imaginary cities. The finished musical piece will be like the novella in another way - it is intended as an open work. A group might decide to do any number of pieces, in any order. The book is structured this way and Calvino intended it to be an open work, something to return to again and again, in any order, in any number.

*****

Grid of 55 in June 2022

Grid of 55 in June 2023



INVISIBLE CITIES: 21/55

With the summer ending and the Fall fast approaching, I thought I would make a post about a piece I am writing, and mark a bit of progress.

But First:

There are a lot of things coming up in the next few weeks:

TBQ (this friday Sept 16)

TBQ performances in Seattle this Friday at Gallery 1412 and on October 5 at Vermillion. Check here for details. We hope you can come and hear this new music and celebrate the end of summer with us!

(Plus you don’t want to miss Leanna’s solo bass flute set at the Gallery on Friday.)

TBQ + Leanna Keith @ Gallery 1412 Sept 16.


“Traces:Sarah” performed in Santa Cruz

A rare second performance of a new piece. I wrote “Traces: Sarah” in 2019 for harpist Melissa Achten. The premiere was in 2020 days before we know what Covid even was. And on September 30 2022 Melissa will perform it again in Santa Cruz as part of a really amazing program of music called Ritual Schizophonia. More info about that concert here.

(Santa Cruz peeps, see you there?)

Excerpt - Traces Sara (2019) by Tom Baker. Melissa Achten, harp.


“DEEPLY LODGED” - ALBUM RELEASE

On September 1, a new album (CD and Digital) of my music was released on Common-Tone Records (CTR). The album is called Deeply Lodged, and it contains three recent works of mine, including a piece for solo piano, a piece for quartet, and a song cycle for soprano with trumpet and vibes. I hope you can take a listen at the link below, there is much more information here.

You can buy the Limited Edition CD here.


READING LIST (and more harp)

I am just finishing a fantastic book by Annalee Newitz called “Scatter, Adapt, and Remember: How Humans will survive a Mass Extinction.” (She is perhaps more optimistic than me, but the ideas are fascinating.) I am co-opting the name “Scatter, Adapt, Remember” for a new piece I am working on, commissioned by The American Harp Society and the aforementioned Melissa Achten. It is for harp, guitar and marimba, hopefully a premiere in 2023.


FISHIING REPORT

I took a break and visited some family and friends in Idaho, and spent a couple of days fishing with my good friend Greg. We had a great time fishing on rivers that I would call “home waters”. Warm Springs Creek, a tributary of the Big Wood River in Ketchum Idaho, and Silver Creek (the so-called graduate school of fly-fishing) near Picabo Idaho. The fishing was great, the scenery was fantastic, and the company could not have been better.


INVISIBLE CITIES 21/55

And finally, the progress report on the string-quartet-cycle:

In the summer of 2010 I had a dream that I was attending my own memorial service. Though it was not a particularly sad dream, it did start out as a performance anxiety dream: I was in a large warehouse that had dozens of services of all kinds happing at the same time in different rooms. I had to check many rooms until I found the right one, and I feared I might miss the whole thing, which I somehow knew would be marked as truant on my permanent record. When I did finally found the right room, I sat down in the back row and perused the memorial program. On the back was a list of my complete works as a composer. I looked over the list and had wonderful, nostalgic memories of the conception of this or that piece, or fond feelings toward this or that performer. Then, in a rather sudden moment of dream-clarity, I realized that I had never written a String Quartet! And then I woke up.

So began this long cycle of string quartets. The first sketches quickly turned into a master plan to write a cycle of 55 pieces for string quartet. The inspiration at the core of the cycle is a book called Invisible Cites, by one of my favorite authors, Italo Calvino. Calvino’s book is a magical and fantastical tale about a conversation between Marco Polo, the erstwhile explorer, and Kublai Kahn, the great emperor. In each of the 55 chapters of Invisible Cities, Polo describes to Khan a city he has supposedly visited (both characters know that Polo is crafting and improvising these cities). The descriptions are beautiful, poetic and profound; they create a magical world of strange and mystical places. The musical pieces are my interpretation in sound of these imaginary cities.

The piece has progressed in fits and starts, but at the beginning of this summer, in anticipation of my sabbatical, I turned my full attention to it. I wrote 9 pieces this summer, to complement 12 that had been written over the past decade. And it is my intention to finish all 55 pieces by this time next year.

Hitting 21 is a kind of a milestone for me, and I feel like I am finding my footing with this piece and that there is some momentum. I will keep you posted, dear imaginary reader, and check-in in a few weeks with an update.

AND FINALLY, COFFEE

In my post last month, I mentioned I have some time for coffee dates if anyone is interested. The big news is I have a DATE! (I guess I have at least 1 non-imaginary reader…)

Anyone want to get a cuppa?

A Rather Disorienting August...

Image by Alissa Rupp

My 22-23 academic year is going to be a strange but wonderful experience. Thanks to the Cornish College of the Arts Faculty Senate and the Provost’s Office, I was awarded a Sabbatical for this upcoming year. I have a long list of projects and creative work to fill my time, but it really has been a very disorienting August.

In my life, most especially the last 23 years of my college-teaching life, August has always signified the approaching fall semester, ringing the bell that it is time to get busy reading, prepping, and steadying myself in the knowledge that the summer is coming to an end. The awareness of the approaching semester has always felt familiar and comforting, as I have always thrived on the energy of the fall semester. With the first-year students and their intense and slightly fear-based nervousness, and with the general good vibes from everyone after the summer refresh, we all (like any hopeful team) believe that this could really be OUR year.

The last few weeks I have found myself in unfamiliar territory. I have stepped into a new kind of anticipatory anxiety about an upcoming year without classes, exams, recitals, students, and colleagues. Don’t get me wrong, I am blessed with the opportunity, and grateful for this sabbatical year after 23 years of teaching. It is a chance to immerse myself fully into creative work, while also taking time to reflect and regenerate and renew my teaching self. But I am also anxious about the year ahead, the work to come, the crazy and terrifying world, etc. It is proving, thus far, to be a productive but disorienting state of being.

BLOGGING

So, I am going to try and use this blog to explore this uncertain year, and to mark and track some of my creative projects. I know, dear hypothetical reader, that there might not be many (or any) who ever read this ledger, but it will serve me well to keep an accounting of (hopefully) steady work. I have divided the sabbatical into 5 quarters, and this first summer quarter has proven to be quite productive: a new CD to be released on September 1 of three recent compositions,, performances with TBQ, progress on my book of string quartets (18 of 55 finished), and finding (finally) the double-bar on a long overdue commission for piano+electronics. More on these and other projects in coming posts.

READING

And then there’s the sabbatical reading list. Wow. I now know how my students must feel when they see my reading list for a class. I think I made a nice start in the summer quarter on what I call the “tower of the unread” - see below for the completed summer reading. It’s a good start.

A good start with summer reading…

The biggest problem with the reading list is that as I chip away at the stack of books that have piled up over the past few years, I keep discovering new books to read that are not from the tower of the unread. But it is a decent start.

———

So there it is, the first of what I hope will be more regular posts and check-ins. We are planning trips for performances and recordings to NYC, The Netherlands, San Diego, and Scotland this year. I look forward to spending more time with Alissa. And I will be spending as much time as I can walking in rivers and looking for moments of beauty and truth (as well as the occasional trout).

Fishing the Henry’s Fork of the Snake River (p/c Greg Stevens)

COFFEE

And look, dear hypothetical reader. If for some reason you have read this far, and you are interested and available for a coffee in the coming months, let’s make it happen! I could use the company.

CHEERS!

A Strange Year It Has Been

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Hi friends,

I hope that this strange and messed-up year has brought you some light and joy mixed in with the fear and isolation. I know so many who are suffering and grieving, and I feel lucky and hopeful while also stunned and saddened. I am wishing for you all a great 2021, and I hope to see you all very soon.

Some new stuff on the website, if you are looking for an afternoon to listen/watch/read about the weirdness that is tombakermusic.com, well, here you go.

Take care all.

The New Year

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Hi there,

Not sure who exactly might read this (now or ever) or if there is even anyone still out there. But if so, here are some things that the The New Year is promising as we turn out of the teens and into the 20s -

JANUARY

Triptet is doing a bi-coastal mini-tour with Anne LaBerge (an amazing flute player and electronic musical from Amsterdam).

— Jan 7 - Soup and Sound, Brooklyn NY

— Jan 8 - Here and Now, Manhattan NY

— Jan 10 - Chapel Performance Space, Seattle WA

— Jan 11 Alma Mater (Honey), Tacoma WA

FEBRUARY

— Feb 14 - Los Angeles, CA: World Premiere of Traces: Sarah for harp + live-electronics. Melissa Achten will give the premiere of this new piece at a (soon-to-be-announced) venue.

— Feb 21 - Seattle, WA: Seattle premiere of Traces: Sarah at PONCHO concert hall at Cornish College of the Arts as part of a faculty composer concert.

— Feb 28 - Seattle, WA: Curator for the Seattle Composers’ Salon on the Wayward Music Series at the Chapel Performance Space.

MARCH

— Mar 7 - Salt Lake City, UT: Presenting a paper at the Music Technology Pedagogy Summit at Westminster College: “Shifting Sands / Solid Footing: Project-Based Learning for Undergraduate Musicians in Experimental Electronic Music”.

— Mar 27 - Seattle, WA: Performance of Shendos No. 12 for Chamber Orchestra by the Seattle Modern Orchestra at Town Hall.

— Mar 27/28 - Seattle, WA: Chair of Pacific Northwest College Music Society 33rd annual regional conference, Cornish College of the Arts.

APRIL

— Apr 4 - Seattle, WA: Performance of The Green Guitar by guitarist Mark Wilson on the Wayward Music Series at the Chapel Performance Space.






here comes the light…

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Today is the celebration of Winter Solstice… and so we begin to see the slow lengthening of the light starting tomorrow. It has been a full year, and I am looking forward to 2019. I wish all of you the best in this approaching new year! (And to be clear, the photo above is the normal Stonehenge, not Nigel’s Stonehenge…)

2019 is going to get off to a busy start:

- several MATRIO shows in Seattle and Bellingham
- a WORLD-PREMIERE of a new piece called SIX MOMENTS at University of Central Florida
- a new intermedia piece MANIFOLD2 with Robert Campbell at the MOXsonic Festival in Missouri
- publication of a new work in Perspectives of New Music coming in the spring
- completion of a new piece called TRACES:SARAH for harp and electronics
- residency with Robert Campbell through ARTS INCUBATOR at Cornish College Playhouse
- a full teaching load including a theory class called REPETITION AS MUSICAL STRUCTURE
- much more to come!

You can check out all the upcoming dates on the calendar page and some new work and projects on the work page.

I also promise to TRY and communicate on this blog at least three times before 2020. Quarterly seems like a good goal… I will lean into that.

Merry and Happy to everyone! Hope to experience you in person sometime in the coming days and in the new, 2019 light.

A New Year...

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2017 is in the books. 

I wrote my first blog post on this website exactly one year ago, and the word for the year was BALANCE. You can read it below, but I think that all things considered, I did manage this year to find some equilibrium. Not exactly as I had mapped out, but then the best laid plans...

It has been a year of performing, composing, teaching, traveling, being, and coping. And even given the current state of affairs in politics and the world, I find myself hopeful in the dawn of this new year. I am hopeful for myself, my wonderful partner Alissa, my friends and family, my colleagues and students, and for all of us. It might be a bit Quixotic, but I am hopeful, perhaps even optimistic, for the upcoming year. This is not a natural state for me to be in, but I am going to embrace it!

I have made some updates to the website, the calendar is set (and full) for the winter and spring, and I am excited about some cool opportunities I have been afforded this year. I have great musicians to play with, great colleagues to work with and great students to teach this year, and I am hoping that much music will be made. 

I guess for a theme, if there is to be such a thing for this year, it will be GRATITUDE. I am very lucky. Luckier than I probably deserve to be. So I will make a special effort this year to be grateful. And I wish for all of you luck and positivity for the year ahead. 

I will be back on the blog with updates and invitations to shows, new uploaded music, videos, and much more. One of the projects I am starting is a new piece for harp and electronics, which I am writing for a former student. I am having a very good time working on this piece, and I will try and blog a bit more regularly to keep a kind of diary of progress on this project. So if you are into that kind of thing, stay tuned. 

In the meantime, happy new year! I am grateful for your taking the time to read, and grateful for your support for my work, and for the work of other artists and composers. I hope to see you soon at a new-music show. Bring a friend!

Cheers!

 

Winter is Coming...

It is that time of year -- daylight savings. I am not sure how I feel about this rather antiquated tradition, but it does serve as a marker to a darker season ahead.

I am looking forward to a winter of musical experiences, starting later this month with a solo electronic show I am performing at Gallery 1412. Check out the calendar page for details. I am very excited about the direction this recent music is taking me, and I hope to be able to share it. 

Some spoilers in the picture below, but that's ok. No time like the present. Winter is coming. 

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Obstacles of Summer

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Hi friends,

I am realizing there are many things I have to share with you on this first week of September (I won't say fall, or autumn, as it is still summer hot here in the 206). But I won't detail all of it. I have spent the summer regrouping a bit, finding my way in several areas of life and work, and continuing my search for balance. 

One of the highlights of the summer was a trip to NYC (for a weeklong project at Harvestworks) and a trip to the Rubin museum for an exhibit called "The World is Sound" with works by many great sound artists and composers, including two of my favorite artists, Eliane Radigue and Pauline Oliveros. 

I also ran across the ferocious and beautiful new friend above, Mahakala, a "powerful, wrathful Buddhist protector deity who removes obstacles, both internal and external." I realized that Mahakala was indeed just what I was looking for this summer, a way to sweep out some obstacles that have been hanging around for while. I figured having him in my head might help me sweep them out myself. Hope he can do the same for you, if you need him.

As for the impending upcoming change of season, I wanted to let you know of 4 really cool shows I have coming up soon. Radiosonde on September 30th, Tom Baker Quartet on October 2, Matrio on October 5, and a solo, ambient show on November 16th. Check out the calendar page for details on all of them. But I wanted to particularly invite you to a show I have been hoping for since 2011. That was the year that my friend and musical partner Jesse Canterbury moved to CA. Our group the Tom Baker Quartet (TBQ) has been on permanent hiatus ever since. But in October Jesse will be back for a one-night-only TBQ reunion show at the Royal Room. I really hope you can come out to hear some old tunes, some new improvisations, and some fun surprises. 

Cheers!!

Tom

 

 

 

The Speed of Light

Sunset in southern Idaho - slowly, away.

Sunset in southern Idaho - slowly, away.

Hello from sunny CA (Berkeley to be exact).

It is my first time in Berkeley, and I have been noticing there is something special about the light here. It has a northwest feel, but it is somehow softer and easier. It has been a beautiful summer in the Pacific Northwest, and I am enjoying soaking in a bit of NoCal light. 

I recently spent time in Idaho (my home-state) and was reminded about the looooooong sunsets (see picture) and how the light seems to slow down there. It was a nostalgic trip for  me to make, as it has been a year since my father passed away, and this trip was about marking that time in various ways (some profound, some, well, profane)... But the sunsets... 

I have been thinking about light this summer, and its relation to sound and life. I have been hard at work on my (loooooong) cycle of string quartets, which are based on the writings of Italo Calvino, a master of light and lightness. And Triptet is getting tantalizingly close to releasing our third album on Engine Records, Slowly, Away. It is a dark record, made in the brilliant sunshine of upstate New York. In October, the Tom Baker Quartet will perform a kind of reunion show at the Royal Room in Seattle, welcoming clarinetist Jesse Canterbury home for a week. The light will have shifted to that autumn slant, but this will be a really great gathering of old friends and bandmates. More details soon.

Lots more happening, more from MATRIO in October, a solo ambient show before the year ends, and some rumblings of a new opera on the horizon... hope to see/hear you all soon.

Go lightly.

 

April Fool (that's me!)

With another trip around the sun complete for me (as of yesterday - April 1) - I am thinking about the difficult year that is (finally) turning. Spring is coming (someday, even though the sun doesn't want to participate), and there is much to do as the end of the school year approaches. It was a year for me that was dominated by grief, starting with the loss of my father in the summer, and capped off by the passing of my brother (a brother not by blood, but by some other binding agent that I don't have a name for but that is even stronger than blood). Those of us lucky enough to know him are mourning and in disbelief.

But the past year has also brought much joy, new friends, a new department chair (much better than the former chair - me!), a new band, many performances, recordings, a premiere coming up this month, a new job title (professor) and the realization of dream job, and so much more. 

And then there is this picture, which surfaced again yesterday on my April Fools birthday (thanks to the stern looking bearded guy for the public shame)...

That's me, second from the right, with the black Les Paul Custom, sunglasses, and all the attitude. I loved, really loved, that guitar. Mail-order from Elderly Music in Michigan. This picture is a reminder for me of how much the guitar has dominated my life. One day a few months ago I started counting the guitars I own or have owned, but the numbers just kept getting bigger and bigger. That beautiful Les Paul I traded for a Bill Lawrence Telecaster, which I also loved. Then I traded that for a frankenstein Stratocaster that I also loved. My first classical guitar was built by my good friend and master luthier David Boehlke, and I still have two of his guitars. It has been many decades of guitars. I am celebrating this amazing guitar-life I have had and continue to have with a concert on April 21st, entitled "The Guitar In My Life". Some of my good friends (and amazing guitarists) will be performing my compositions for guitar (both electric and classical). More info about this on the calendar page: THE GUITAR IN MY LIFE. I hope you can come and be a part of it.

So... happy spring to everyone. Yesterday's east-coast sleet and snow, the flooding all over the midwest and west, and the permanent clouds and rain here in the pacific northwest. All the tell-tale signs of spring!

April Fools.

 

 

 

VENUE CHANGED

Friends,

I have a show coming up on Thursday night, but the venue has changed. 

MATRIO (with Greg Campbell and James Falzone) will be playing at: 

PONCHO @ Kerry Hall - Cornish College of the Arts
710 E Roy Street
(Not at Gallery 1412)

Hope to see you!!

Snow, Stravinsky, and Stillness

Yes, it is snowing in Seattle. Having grown up in the desert in southern Idaho, snow-days were pretty common. But there is something special about the fragility of our existence in this city that 3-4 inches can shut us down. That specialness is one of the things I love most about Seattle. 

I have been listening to a lot of string quartet music recently, and have been taken with Three Pieces for Strings by Stravinsky. I remember this work, but it seems to represent something new to me in my middle-age - something rough yet solid, unvarnished yet smooth. It is layered in that stratified way Stravinsky has, but unlike some other pieces, there is a sad stillness at play. I have set my students onto the third movement in their first post-tonal analysis project... perhaps they will help me get to the bottom of my current fascination with this work, and the current context in which we all find ourselves, listening to music.

But it has me thinking about my own long (some might say quixotic) project of the Invisible Cities, a cycle of 11 five-movement quartets. I am on quartet no. 2. It looks long and a bit dark ahead, and I can't see the exact path through. I am anxious, and frankly a bit worried. And not exactly sure where to put my faith. The future? The past? The present moment? There is such a feeling of discontent all around. I started off this year with a goal of balance. So I will return to that word as a guiding light. Balance. I hope that might work for some of you as well.

(PS - sorry Falcons, the Borg triumphs again!)

***

If you want to check out Invisible Cites Part I, click here.

And if you want to hear some upcoming work, check out the calendar page. I have 3 performances coming up in the next month - first up: Feb 16 - MATRIO. A new improvising band with my friends Greg Campbell and James Falzone. I really, really like playing with people I really, really like. I would like to do more of that!

Balance!

Change of Date

I'll be playing with my good friends Greg Campbell and James Falzone on February 16 (this is a new date for this concert, postponed from earlier in the month).

Hope you can come, it should be a really great time of listening.

Cheers!

TB

Balance...

It has been a year!

Welcome to 2017 - and to my new website. I am excited to have this site up and running, with a blog, calendar, and a catalog of work and projects. Please take some time to poke around! (Some areas are still being worked on, so more to come soon...)

I am proclaiming that 2017 is going to be a year of BALANCE. 2016 was a strange and challenging year for me, both artistically and personally. But since BALANCE is the word of the day/year: I wanted to take this opportunity to recalibrate. Some elements of recalibration:

1) My father's death in June has had a profound impact on my life and work, with many implications and manifestations still to come. I miss him every day, and I am grateful for the years I had with him.

2) At Cornish College of the Arts, I have moved out of administration (I was serving as interim chair of the Music Department) and into a full-time teaching position as professor of composition. I am grateful for our new chair (my new friend James Falzone) and extremely grateful for my creative and hard-working students and for my faculty colleagues. Here's to a new year of BALANCE for CCA.

3) The harsh and unsettling election season has ended, and we are going to have a new president. For now, my coping strategy is to be hopeful that the truth will win the day, to practice being more kind than is necessary, and to make work

4) I am quickly transitioning back into composing/performing. I have several things coming up (see the calendar page). I hope to have a very full 2017 of PLAYING.

5) Last, but really first, I am looking forward to a BALANCED life with my partner, friend, compatriot, collaborator, and collectively-agreed-upon-better-half, Alissa. I am grateful for this partnership, and hopeful that I can keep up my end of the bargain.

I hope to see some/all of you in the coming year - out at a show, listening together, improvising together, performing, talking about music and art, films and sports, love and life. Mostly, I hope that you will see a more BALANCED Tom in the coming year! 

Cheers!

Tom